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Justine & Cow

Justine & Cow

In the beginning, there was a big house, many siblings, a huge vegetable garden, a tree house, a forest, games and no TV. Justine and Cow grew up in the Val d’Argent, in Lièpvre.

After receiving training as a crystal cutter, Justine made a name for herself in the valley with her paintings on wood. It was when she left the valley that textiles came into her work.

Like a need to draw in volume, to patch up the inert, to give life.

From stitch to stitch, wire to driftwood, abandoned toys to broken necklaces, inspired by the encounter of a damask, a cotton fabric, a color or a curve, she sculpts, assembles, embroiders and explores.

Justine and Cow’s universe is sometimes disturbing, but often gentle.

At the end of the thread, let's play!

Justine & Cow deconstructs and misappropriates objects, including her own creations.

The materials used in Justine’s work are recycled, as if to say that everything is still possible.

That other cycles are coming. Promising, that nothing is so serious.

Justine mends the past, the sensitive, the intimate.

She gives a new status to the works of ladies who are far too well-behaved (the ladies and the works!).

Her works conceal tea towels and napkins, and the doilies are partly un-embroidered and re-embroidered according to her desires and the worlds she creates.

Yet there’s no moralizing, no impoverishing thesis to be found in her work, one of whose essential characteristics, like a mainspring of life, is humor.

Justine & Cow
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