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France Aubert

France Aubert

France Aubert studied Fine Arts at university, but it wasn’t until the 90s that she discovered patchwork.

Looking at antique quilts was so exciting that she took part in several editions of the Quilts de Légende challenge organized by France Patchwork, the French Quilt Guild. She loves reproducing textile works, particularly those from the 19th century.

Traditional blocks and their history are her passion, which she also shares with colors and fabrics. There’s nothing useless or superfluous in all this, but a response to her need to create from old models. She revisits them, redesigns them, gives them round or rectangular shapes. She works essentially by hand.

A collector of buttons from the Arts Deco period, she naturally likes round blocks like buttons. Also a keen painter, she reproduces some of her creations realistically in fabric.

A Passion for Samplers

The Sampler: originally an introductory book for learning the basics of traditional patchwork.

With a library of thousands of different blocks to tell stories in a quilt, it first appeared in the 1830s and has been enjoying a resurgence of interest recently.

You can’t truly be a modern artist without going back to your roots. Making a sampler is like diving into an album teeming with blocks. Each block bears a name linked to American fauna, flora, social, political or religious history.

To perpetuate this diversity, using traditional blocks, redesigning them, sometimes giving them a round or rectangular shape, allows us to create original compositions. Revisiting a single block, repeated over and over again, gives you the opportunity to play with colors and tones even more.

The tops of large quilts are separated into several portions, quilted separately and then reassembled using a personal technique inspired by quilt-as-you-go.

Assembly, appliqué, embroidery and quilting are all done by hand.

The joy of making utilitarian works … or not! But always with enthusiasm and passion.

France Aubert
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